Posts Tagged ‘social media’

Class: Facebook for Artists

 

Facebook for Artists

Spring 2011 classes

Attention, artists and craftspeople!

Wondering how to use Facebook to market your work? Join me this Spring as I teach two sessions of  “Facebook for Artists“:

Monday, February 14, 1-4pm
Monday, March 21, 10-1pm

We’ll explore tactics used by my client, sculptor Liz Beavers, as well as demonstrate tools and techniques to make your marketing via social media more successful.

The classes are sponsored by the Artisan Center of Virginia and will be held at Piedmont Community College in Charlottesville. Non-members and non-artists welcome, too.

Contact me for further details or await your Studio Classes mailing.

 

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Great Web Writers Drop “E”

 

Empathy is the cornerstone of engagement online  —  so why do so many people make a mess of it?

 

First, let’s talk about the slimy marketers and salespeople (online or off) who will parrot you, your fears, and your concerns in an attempt to connect with you long enough for you to open your wallet…

(Yes. They ruin everything. They make your job more difficult.)

Empathy – when used for in the context of online communication, and for the powers of good – can have stunning results beyond just the immediacy of keeping you on a website or making an initial sale. In fact, empathy can drive ongoing, enthusiastic supporters who do your selling for you.

(Wow – they really *get* me!)

Too bad empathy is frequently overlooked or faked. We’ve all seen a getting-to-know-you conversation turn into a not-so-disguised getting-to-sell-you conversation. We sense when data is being collected for no good reason other than to serve the collector. In short, we’re all just over it.

No wonder true, sincere empathy in such demand. Especially online.

How do you give it? Well, first, you must understand that you don’t “get” empathy — you give it. The more you give, the more you get. Here’s how in your online content marketing:

Listen.

You can discover a lot about what your audience wants and needs. Your audience is a collection of individuals, but, you can think of them as one person. What do they need? What makes them feel good?

But what if your customers aren’t discussing you?

As Jay Baer writes, “It’s difficult to make listening and opportunistic engagement the nucleus of your approach when there’s nothing to listen or respond to in the first place.

That’s why content marketing becomes steadily more important for brands that don’t have existing social chatter.

If they’re not talking about you, it’s up to YOU to create content that gets them talking. [emphasis added]

In addition:

Make Empathy Part of Your Brand, and Core to Your Brand Communication

Examine the problem your website and/or products solve. Connect with the problem, and convey it’s legitimate role in helping your audience/customer. Make sure all your marketing copy (web, print, otherwise) references this solution from the customer’s perspective.

And if they still aren’t listening and discussing you?

Keep revising until you’re talking directly, and genuinely, to their needs.

Don’t “drop”, as in omit, empathy as an unnecessary, feel-good aspect of your marketing. Add empathy, because it’s powerful and meaningful if it’s genuine.

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4 Tips for Compelling Copy

Australian author and literary critic

Dead literary critics: not your audience

Compelling copy is the foundation of engaging content — so what are the secrets?

Four tips to produce riveting copy online:

1 – Economy. If you can communicate in fewer words, do so. You needn’t always write a lengthy manifesto to explain your perspective. If you want to keep your audience, keep it short and snappy. Save the manifesto opining for your unshaven weekends in the woods. (Or that blog no one reads.)

If you must go long: give your readers frequent paragraph breaks, highlighted main thoughts, and make! it! great!

2 – Personality. Try not to be boring. Think in terms of stories. Ignore the temptation to be formal. Do not attempt to please dead literary critics.

Even boring, “necessary” content has the opportunity to engage. Check out the unsubscribe page at Groupon. But wait! Isn’t that video, not copy? Yes, but copy sets the scene. Copy instructs you to engage. Copy makes you to push the button and “Punish Derrick”.

(Caution: personality injection in legal notices isn’t recommended by my lawyer. Or yours.)

3 – Clarity. Hey, that reminds me of 36 other things I’d like to mention…. No! No! No! Veering outside the lane is fine, but too much weaving and wandering will distract and/or annoy your readers. Buckle up, and buckle down. Narrow your focus so each piece serves a clearly-defined purpose.

Editors pay writers for how they think. Your audience pays you with their time and attention. Can’t clearly convey your thoughts? Find the task too time consuming? Hire a commercial web writer.

(Things to look for: a web writer who understands content marketing, strategy, social media, and seo best practices. Yes: that’s a clarity-rich sales pitch to hire yours truly. It’s also a helpful reminder to be explicit in your copy if you want to direct your reader to a specific action.)

4 – Review. Take the time to review and revise. Then do it again. Your audience will thank you. They’ll also be willing to engage again.

While your version of “compelling copy” may differ based on audience, objectives, or goals, there’s one last secret, a magic bullet: make it genuine.

For more discussion on the topic, check out Junta42.  (P.S. Here’s my approach.)

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Content Marketing & Strategy for Clean Water

Managing content offline matters, too

“Clean water” is really a widget in a discussion about the connection between data organization and management (content strategy) and its communication objectives (content marketing).

This is perfectly illustrated in the “Flex Fencing” project overseen by the Shenandoah Resource and Conservation Department (RC&D).  Challenges here are applicable to many online and offline content projects.

Observations

  • Collection and organization of content is not enough if it doesn’t convert.
  • By necessity, content must be presented with marketing objectives and audiences in mind.
  • Not all content marketing strategies should (or can) rely on social media as a cornerstone.

Content Strategy

The Flex Fencing project is an excellent example of managing data – content – which starts offline and merges online. My ongoing role is taking this “real world” collection of data and distilling it into a usable form for various stakeholders: program funders, the organizing group (Shenandoah RC&D), and the general public.

This is where the offline world of content meets online strategy.

First, the collection of data. Consider, briefly, the river of information necessary (pun intended) for a project that includes farmers, scientists, environmentalists, NGOs, and private investors.  Most projects contain similar levels of diverse audience members. To communicate to each effectively one must present different, yet relevant, portions of the collected data to each audience.

A tactical measure is to use a tool such as Google Docs where each of the groups can access specific information.

Content Marketing

Next, consider how you’ll transform this information into action. Data collection and organization is vital, but, this alone won’t embolden your audience – whether farmers or private investors – into action. That takes content marketing – even if, in this example, what you’re “marketing” is progress on, and continued enthusiasm for, a shared goal (clean water). So, to be successful the collected content must explain benefits and demonstrate concrete results in a way that speaks to your intended audience.

What about Social Media?

Social media is a cornerstone to many content marketing strategies. Therefore, it’s easy to forget that some audiences are prevented from accessing social media. No, we aren’t discussing the farmers themselves – some  farmers are very savvy here.

Rather, the infrastructure: the RC&D is located in a governmental building that blocks social media sites such as Facebook.

So how to work this into overall content marketing strategy? A single web page and Facebook presence are a start. But, they can’t be the only tools because a large segment of working group is blocked from accessing social media. The alternative? Communicating across counties with tools that aren’t explicitly marked “social” but can function in a shared sense, such as Google Docs.

Side Note: Restoration Economy

This particular project is a great example of what author Storm Cunningham covers in his book, Restoration Economy. The book’s premise is that one of the biggest future economic trends involves private-public restoration projects of the built and natural environment. Can’t you see these projects demanding a combination of online/offline content strategy and marketing?

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Content Strategy for a Sculptor

 

Sculpture by Liz Beavers

How can content strategy and content marketing be applied to arts and crafts sales?

This was my challenge a few weeks ago when I was hired by a reptile, amphibian, and dinosaur sculptor, Liz Beavers.

Liz, a working artist for over a decade, never had a website. Here’s a peek into a portion of the strategic web communication process we developed, and the immediate results.

Challenges

  • Another “Liz Beavers” is a prolific writer, a byline which could squeeze our sculptor out of first-page name search results.
  • Although a sales site, Liz needed to be respectful of her existing retail outlets (galleries, stores) so not to undercut them.
  • Liz also needed to leverage her existing social circles, many of whom are just joining social media such as Facebook.

Content and Marketing Strategies

Strategy 1: Blogging Filled with Keywords & Phrases.

We first focused on creating content that references ten highly targeted, and competitive, keywords and phrases relating to the kind of sculpture produced by Liz Beavers.

Content Strategy response: Since my client is a good writer and understood the challenge we made her blog the central feature of her website. Her posts contain reference to her work and to the key words/phrases she wants to “own”. Frequent updates make the blog relevant to search results, pushing down competing “Liz Beavers”.

Content Marketing response: Liz’s blog allows her audience to get to know her personally and connect with the thought and process behind making her sculpture. This, in turn, underscores the unique character behind every clay dinosaur, frog, or other highly personalized creature.

Strategy 2: Simple User Interface.
Visitors to Liz’s site should be able to find the information they seek in two clicks or less. We mapped out paths for the top three audiences: those seeking artist biography and background; those browsing available sculpture inventory; and those interested in purchasing off-line in galleries and stores.

Content Strategy response. Content is clearly communicated so navigation is a snap.

Content Marketing response. Liz can effectively speak to all three audiences while maintaining positive relations with her gallery representatives.

Strategy 3: Establish Professional Facebook Profile
Most of Liz’s current patrons tend to be older – which is fine, because this represents the fastest-growing demographic of Facebook adopters. Her Facebook profile automatically updates with the latest entries in her “Studio Journal” blog.

Content Strategy response. Integrating a professional social media profile allows patrons and collectors to connect with Liz on a daily basis via Facebook.

Content Marketing response. By being active on Facebook Liz provides social proof that her work is appreciated, and collected, by others.

Results

  • We “soft launched” the website to coincide with local newspaper coverage – resulting in first sale traced to website.
  • Liz now has first page Google search results in half of our highly targeted key phrases in less than four weeks. Additionally, she has also pushed down competing “Liz Beavers” entries.
  • She now has a 24/7, strategic marketing piece.
  • Most importantly, Liz has online sales capability for the first time.

My only regret? That Liz charges so little for her unique clay sculpture. I’ve recommended she raise the prices in 2011.

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Web Content Strategy & Social Media: Food Retail

Mid-Atlantic States

Content strategy required for independent food retail, too

Challenge:
Inform the public about the products, services, and philosophy of one of the Mid-Atlantic’s few remaining independently-owned, USDA-inspected meat processing facilities.

Solution:
Develop content strategy and related copy for a social media presence and new, CMS-driven website.

Client:
T&E Meats, Harrisonburg, Virginia

Excerpt:

Why T&E Meats
In 2007 Joe Cloud joined forces with farmer, author, and activist Joel Salatin to save one of the few remaining independent, USDA-inspected abbatoirs in the Mid-Atlantic.

The existing butcher shop had been named “T&E Meat Market” after Tommy and Erma May, the previous owners. Cloud and Salatin renamed it “T&E: True and Essential” to highlight the crucial role meat processing plays in the local food ecosystem and to mark the difference between sustainabily-produced local meats and the industrial system.

T&E enables farmers in Virginia to raise and direct market quality livestock by providing excellent processing services under USDA inspection.

A small-scale facility like T&E Meats skillfully and respectfully butchers its livestock compared to the mechanised and inhumane systems common to most large commercial meat processing plants.

We are the only remaining full-service butcher shop and abbatoir in the Shenandoah Valley.

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See: T&E Meats website and T&E Meats Facebook page

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Hello Twitter Friends

Staunton, Virginia
Image via Wikipedia

Hi @twitter friends,

How do you use Twitter and social media? As a commercial writer, let me share how I use it (personally, versus professionally).

I believe social media is a creativity engine, a way to share and spark ideas.

First of all, I rarely answer the literal question “what are you doing?”.  Instead, I try and share information I find useful and think you’ll find entertaining, educational, informative, or thought-provoking.

I tend to follow people who share a similar philosophy.

In alphabetical order, here are the top 10 topics you’ll probably find in my Twitter stream. If we share interests, I would honored for your “follow”.

Environmental Issues – downtown revitalization, smart development, transportation, and everyday environmental choices by individuals and cities

Food/Farm Issues – interests me as co-owner of a neighborhood grocery store (@GeorgeBowers

Historic Home Restoration – we are in the slow, yet rewarding, process of doing just that

Microfinance – I’m honored to be part of SPARC-PLUG, a local mico-lending program for economic development; it’s been a critical component to our small business

Real Estate – from architecture and design, to notions of history, community, to real estate as a financial investment…

Social Media – because the evolution of social media tools and use are fascinating … not to mention a cornerstone of business.

@Staunton
, Virginia – because I love the walkable, creative, and historic town where I live…

Technology & Society – how are we using technology? How can technology bring about positive changes?

Urbanism -  I am interested in urbanism from design, environmental, and social prospectives…

“Urban Escapee” Themes – wondering if you could live outside the big city? I wondered that, too. Turns out it’s becoming easier and easier…

What are your “Top 10 Topics”? Send me an @reply or DM. I’d love to know.

To our shared creativity,

Katie

@KatieMcCaskey

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Class: Twitter for Small Business – Absolute Beginners

In September 2009 Twitter accepted its 4 billionth tweet. Some predict Twitter will be the next Google thanks to it’s unique ability to offer real-time search capabilities. So, how can your small business benefit?

I’ll share strategies I use for clients such as AOL as well as those I use for the Twitter account of George Bowers Grocery (@GeorgeBowers), the neighborhood grocery I own with my husband.

NOTE: This class is extremely limited due to the personal and direct attention given to all participants.

WEEK 1
Learn the small business benefits Twitter offers. Understand how it works from a technical and strategic point-of-view. You will create an account so you can begin to experiment with the technology (we’ll discuss in Week 2 whether or not you will use this account for your small business branding and marketing). You will leave with a homework assignment.

WEEK 2
We’ll review your homework and discuss who you’ve followed and why. We’ll strategize opportunities to use Twitter for your specific small business and discuss if you should maintain a Twitter account as your business identity, as your personal branding, or possibly both.

WEEK 3
We’ll create your first Twitter campaign. You’ll also be introduced to a variety of free third-party tools to maximize the effectiveness of your work as well as measure results. We’ll discuss methods to track conversations and keywords in multiple Twitter streams.

WEEK 4
We’ll evaluate your campaign results. Then, we’ll create a specific strategy to integrate Twitter and other social media tools into your small business marketing efforts.

Each class is one hour.

Price: $200
Location: 9 Augusta Street, Staunton at the Staunton Creative Community Fund offices
Next Session: Thursday, October 8th – (classes 10/8, 10/15, – no class 10/22 – 10/29, 11/1)


Reserve your space now by paying online via debit or credit card.
You may also pay at the door if enrollment space allows.
For more info: 540-466-4141

content marketing professional offering free tips